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  Catalog > Today's Featured Brands > Taylor Guitars > Taylor 416ce-LTD, spring limited series Baritone Acoustic Guitar


SKU: AC-Taylor 416ce-LTD
Weight: 1.00 lbs
Price: $ 2199.00
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Taylor 416ce-LTD, spring limited series Baritone Acoustic Guitar

ON ORDER

 

We’re excited to bring the Taylor Baritone-6 to the 400 Series in this one-of-a-kind Spring Limited, taking advantage of ovangkol’s full midrange and bright top end. Though slightly less dense than most rosewoods, ovangkol shares much of rosewood’s clarity and fidelity. This pairs well with our baritone design, producing a deep voice with rosewood-like richness and clear note definition. The baritone’s lower B tuning, coupled with a 27-inch scale length, make it possible to generate tonal depth with normal string tension, giving players a familiar playing experience. It’s a great choice if you have a lower vocal range or favor a de-tuned guitar sound.

 

Grand Symphony (GS)

 Body Length: 20" / Body Width: 16 1/4" / Body Depth: 4 5/8"

The ultimate Taylor strummer.

The Grand Symphony shape joined the line in 2006 and delivers Taylor’s boldest, richest acoustic voice. Think of it as a Grand Auditorium with a turbo boost, thanks to expanded physical dimensions, including a slightly wider waist and a bigger lower bout. Strummers and pickers with a driving attack will love the fullness, volume and sustain. Yet for such a robust voice, the GS is also clear and responsive to fast picking runs or a light fingerstyle touch, so if you’re a dynamic player, this shape is a true contender. And the big voice doesn’t come at the expense of balance. The piano-like bass, meaty midrange, and thick, shimmering highs blend seamlessly. These traits also make the GS a great vehicle for 12-Strings. If you like a lush, potent guitar tone that has the horsepower to compete with other acoustic cannons out there, the GS shape is a worthy choice.

 

Ovangkol

Origin: Tropical West Africa
Used On: The 400 Series, Acoustic 4 Series

Over a decade ago, Taylor introduced the guitar world to a sustainable tonewood known as ovangkol. An African relative of rosewood, it's a great sounding wood that shares many of rosewood's tonal properties, with a slightly fuller midrange and a top end that's not quite as bright as maple. Being lesser known than rosewood, ovangkol has been a sleeper hit over the years, asserting itself as an instant contender among unsuspecting players who test-drive a variety of Taylor models.

Goes Well With: Most applications. Players who perhaps don't have predefined tonal preferences, who may be generalists in their style of play, and who are looking for a well-rounded, all-purpose solid wood guitar. It works well with different body shapes.

 

Expression System®

Natural Sound Made Simple

People love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? That’s why we spent several years developing our own onboard acoustic pickup and preamp. Taylor’s ground-breaking Expression System® (ES) was designed to naturally amplify the warm acoustic sound of your guitar.

The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls — volume, bass and treble.

Breakthrough Technology

Years of research brought us to a simple realization: Nothing sounds as true and musical as a microphone. With that as a starting point, Taylor’s David Hosler led the team responsible for the Expression System's breakthrough technology. Utilizing a unique Dynamic Body Sensor® mounted to the soundboard, a Dynamic String Sensor® embedded beneath the fretboard, and a discrete preamp, the advanced ES technology is unlike any other guitar pickup system.

Integrated Design

The ES was designed in-house, alongside our acoustic guitars, which allowed us to build the ES seamlessly into the design of the guitar, for an integrated pickup system unlike any other. From the design and location of the body and string sensors to the voicing of the preamp, the ES is fully optimized for the Taylor sound. The elegant design, including the non-intrusive control knobs, also preserves the aesthetic of a Taylor guitar.

 

Venetian Cutaway

Standard on all “ce” models in the 300 Series through the Presentation Series, the Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the guitar. The Grand Concert, Grand Auditorium, and Grand Symphony have a steeper slope, while the Dreadnought and Jumbo are a bit flatter. Our Grand Concert nylon-string models also feature a subtle, flatter slope, while our 100 and 200 Series cutaway models incorporate our flattest slope.

Taylor 416 CE Specs

 

 

 

 

 

 

 

 

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