M-audio
Project Mix i/o
|
record audio directly into Pro Tools M-Powered (not included)
> industry-standard format |
| use
with Pro Tools M-Powered, Live, Logic, Cubase, Digital
Performer and SONAR > total compatibility |
| 10-bit
touch-sensitive motorized faders > totally intuitive mixing
and editing |
| built-in
18 x 14 FireWire audio interface > no additional hardware
required |
| 8
phantom-powered mic/line preamps > pro input right on
board |
| assignable
rotary encoders > control mixes, effects and synths |
| LCD
display > full track and parameter readout |
| dedicated
transport controls and jog/scrub wheel > seamless session
flow |
| ADAT
Lightpipe, S/PDIF and word clock I/O > total digital connectivity |
Today,
more professional music is produced at home than ever beforeâ?"and
the new ProjectMix I/O delivers what you need to take your
computer-based studio and productions to the next level. Seamless
integration with all major DAW software. The ability to record
directly into industry-standard Pro Tools sessions. Faders
so you can feel the mix with your fingertips instead of dragging
a mouse. On-board display of critical parameters for intuitive
operation. Motorized control to craft more accurate mixes.
And professional multi-channel I/O including mic/instrument
preamps, Lightpipe and S/PDIF. ProjectMix I/O is the universal
solution that combines the best of the hardware and software
worlds for a new standard in streamlined production. Compatible
with Pro Tools M-Powered 7, Ableton Live 5, Logic*, Cubase*,
Digital Performer* and SONAR*.
* DAW software version must support Mackie Control, Logic
Control or HUI protocol.
|
Complete
Production Experience
Computer-based
DAWs seem to have virtually no limitations—except
those imposed by using a mouse to do the job of dedicated
hardware. ProjectMix I/O finally puts all that tactile
control back under your fingertips. It also combines
that control with M-Audio’s acclaimed FireWire
audio interface technology, eliminating clutter while
integrating everything you need to transform your computer-based
music system into a full-fledged digital audio workstation.
|
Total
I/O
ProjectMix
I/O gives you just about every kind of I/O you
might need for a session—and at the same
price as many control surfaces lacking audio
altogether. Eight analog input channels all
feature ¼” balanced and XLR microphone
inputs with individual mic/line switches. Of
course, phantom power is provided for up to
eight condenser mics and input 1 even features
a front-panel instrument input so you easily
plug a guitar or bass right in. 8 x 8 ADAT Lightpipe
I/O brings the simultaneous input total to 16
and allows you to expand your system with devices
like M-Audio’s award winning Octane preamp.
This allows for eight more channels of preamp
via Lightpipe. 2 x 2 S/PDIF handles all your
other digital connectivity, and word clock synchronizes
ProjectMix with other digital devices.

ProjectMix
I/O also serves as a 1 x 1 MIDI interface, allowing
your computer to connect with MIDI hardware.
Monitoring options include two ¼”
headphone outputs with separate volume controls
for working with a partner, as well as two stereo
output pairs for routing to monitors, processors
and mixdown devices. There’s even an A/B
headphone source monitoring switch for cueing.
ProjectMix I/O brings all of this to your computer
with a single, simple FireWire connection.
Transport
Control
Dedicated
transport controls are another feature that
makes doing sessions with ProjectMix I/O a breeze.
You get illuminated controls for record, play,
stop, fast forward, and rewind, plus a jog/shuttle
wheel and locate buttons for easy project navigation.
Sets of keys for in/out points, zoom, region
nudge, looping and more will having your flying
through sessions with incredible efficiency.
Easy
to Use
M-Audio’s
design team gave a great deal of consideration
as to what features would provide the most value
in an affordable package. They knew that cutting-edge
features like high-resolution 10-bit touch-sensitive
moving faders, large LCD display and mic/line
switches on all channels were important. They
also found that much of the expense of other
units on the market owed to a dizzying number
of controls that many users find daunting. Our
engineers opted for a streamlined design that
places some functions under the control of the
keyboard and mouse, where they are best suited.
The result is a controller that doesn’t
have much of a learning curve, is much more
intuitive to use and comes in at an unbeatable
price. Check out ProjectMix I/O for yourself
at your local M-Audio dealer. We think you’ll
agree.
|
|
10-bit
Touch-Sensitive Moving Faders

The
motorized touch-sensitive faders on each of
ProjectMix I/O’s eight channel strips
and master strip record and playback your changes,
making for seamless mix automation. And touch
sensitivity means that when you touch a fader
in motion, it immediately disengages for manual
control and re-engages automation when you release.
This provides for both smoother operation and
the elimination of motor burnout prevalent in
older technologies. ProjectMix’s faders
also feature higher resolution than other control
surfaces in its price range.
Channel
Strip

ProjectMix
I/O’s eight channel strips can map to
as many channels as your project by simply pressing
the bank +/- and channel +/- controls. Each
channel strip features all of the functions
you’d expect to help you zip through sessions,
including buttons for mic/line, record enable,
mute, solo, and select. In addition to a touch-sensitive
motorized fader, each strip has an endless rotary
encoder knob whose function is assigned by one
of 15 dedicated buttons for EQ, aux send and
more. Related information is displayed in the
LCD window directly above each encoder. The
encoders and LCD double to control assigned
plug-in parameters as well.
|
|
Details:
| |
Control
|
| |
8
touch-sensitive motorized channel faders |
| |
1
touch-sensitive motorized master fader |
| |
8
assignable rotary encoders and large LCD for channel or
plug-in functions |
| |
record
enable, select, solo and mute buttons on each channel
|
| |
channel
+/- and bank +/- keys |
| |
illuminated
transport controls for record, play, stop, fast forward
and rewind |
| |
jog/scrub
wheel with mode switch |
| |
zoom
key with 4 directional keys |
| |
dedicated
keys for in/out points, locate, region nudge, loop and
more |
| |
A/B
headphone source switch for cue auditioning |
| |
function
LED display for each channel |
| |
I/O
|
| |
8
analog mic/line inputs (1/4â?? TRS and XLR balanced) each
with signal/peak indicators and mic/line switch |
| |
4
analog outputs (1/4â?? TRS balanced) |
| |
ADAT
Lightpipe I/O |
| |
front
panel instrument input (1/4â?? TS) switchable for input
1 |
| |
S/PDIF
digital I/O |
| |
1
x 1 MIDI I/O with activity LEDs |
| |
FireWire
(IEEE 1394) connectivity |
| |
word
clock I/O (BNC) |
| |
phantom
power |
| |
2
stereo headphone outputs (1/4â?? TRS) with independent
level controls |
| |
Kensington
lock port |
| |
Compatible
with Pro Tools M-Powered 7, Ableton Live 5, Logic*, Cubase*,
Digital Performer* and SONAR*. |
Mic Inputs (A/D) |
 |
| Input
Impedance |
3.4k
â?¦ |
 |
| Maximum
Input Level at Minimum Gain |
-3dBu,
balanced |
 |
| Channel-to-Channel
Crosstalk |
<
-110dB @ 1kHz |
 |
| SNR |
-104dB,
A-weighted |
 |
| Dynamic
Range |
104dB,
A-weighted |
 |
| THD+N |
0.00188
% (-94.6dB) @ -1 dBFS, 1kHz |
 |
| Frequency
Response |
20Hz
to 20kHz, +/- 0.1dB |
 |
| Preamp
Gain |
55dB |
 |
| Phantom
Power |
48
Volts DC @ 16mA |
Instrument Input (A/D) |
 |
| Input
Impedance |
560k
â?¦ bal/280k â?¦ unbal |
 |
| Maximum
Input Level at minimum gain |
+14
dBu bal/+11.8 dBV unbal |
 |
| SNR |
-100dB,
A-weighted |
 |
| Dynamic
Range |
100dB,
A-weighted |
 |
| THD+N |
0.00243
% (-92.3dB) @ -1 dBFS, 1kHz |
 |
| Frequency
Response |
20Hz
to 20kHz, +/- 0.1dB @ 48kHz |
Line Inputs (A/D) |
 |
| Input
Impedance |
20k
â?¦ bal/10k â?¦ unbal |
 |
| Maximum
Input Level at Minimum Gain |
+10dBu
bal/+7.8dBV unbal |
 |
| Channel-to-Channel
Crosstalk |
<
-110dB @ 1kHz |
 |
| SNR |
-104dB,
A-weighted |
 |
| Dynamic
Range |
104dB,
A-weighted |
 |
| THD+N |
0.00243
% (-92.3dB) @ -1dBFS, 1kHz |
 |
| Frequency
Response |
20Hz
to 20kHz, +/- 0.1dB @ 48kHz |
Line Outputs (D/A) |
 |
| Output
Impedance |
300
â?¦ bal/150 â?¦ unbal |
 |
| Maximum
Output Level |
+10dBu
bal/+1.8dBV, unbal |
 |
| Channel-to-Channel
Crosstalk |
<
-109dB |
 |
| SNR |
-110dB,
A-weighted |
 |
| Dynamic
Range |
110dB,
A-weighted |
 |
| THD+N |
0.00205
% (-93.8dB) @ -1dBFS, 1kHz |
 |
| Frequency
Response |
20Hz
to 22kHz, +/- 0.1dB @ 48kHz
20Hz to 44kHz, +/- 0.2dB @ 96kHz |
Headphone Output (D/A) |
 |
| Maximum
Output |
-2.9dBV
at THD+N < 0.03% into 32 â?¦ |
 |
| Working
Range |
24
to 600 â?¦ |
â?¨Supported Sample Rates |
 |
| Analog
Ports |
44.1,
48, 88.2, 96kHz |
 |
| S/PDIF
Digital I/O |
44.1,
48, 88.2, 96kHz |
 |
| ADAT
Digital I/O |
44.1,
48, 88.2, 96kHz |
Digital Parameters |
 |
| Converter
Bit Depth |
24
bits |
 |
 |
| |
Pro
Tools M-Powered 7 or greater |
 |
| |
All
Pro Tools systems (MIDI control only) |
 |
| |
Logic*
(version 7.1.1 or greater) |
 |
| |
Cubase*
(version 3.1 or greater) |
 |
| |
Ableton
Live 5 (version 5.02 or greater) |
 |
| |
Digital
Performer* (version 4.6 or greater) |
 |
| |
SONAR*
(version 4.02 or greater) |
 |
| |
ASIO
2 |
 |
| |
GSIF
2 |
 |
| |
Core
Audio |
 |
|
Your
price including shipping: $1249
(includes full version of Ableton live 5)
(Except to Alaska, Hawaii
and foreign countries)
|